Showing posts with label Week 13. Show all posts
Showing posts with label Week 13. Show all posts

Tuesday, November 17, 2015

Storytelling: A Poor Mortal (Week 13)

A 19th-century interpretation of Charon's crossing by Alexander Litovchenko.

Charon rowed.  And rowed.  And rowed.  That’s almost all that he did.  His arms had stopped throbbing hundreds of years ago.  Now, the years passed liked days to him.  The screams and wails of the lost souls had also partially deafened him.  Long ago, he had even been able to hear the distant click-clacking of the centaurs’ hooves from so far off circle of hell.  He couldn’t hear much other than the last lamentations of the sorrowful souls he carried across the river.  His beard and head had started greying long, long ago.  Now, his beard only had specks of its natural hue; instead, grey had taken over.  Both in age and appearance, he was an old man.  

Soon, he would have to find someone else to take over his responsibility as the ferryman.  Reflecting was not something he did often, but it was something that he felt was appropriate now that he would be relinquishing his position soon.  He had been alive for far too long to care to remember everything that had happened to him.  Even if he did desire to remember the occurrences that had taken place throughout the course of his post as ferryman, there were so, so many souls that he had taken, it was impossible to remember them all.  In fact, most of them blurred together.  Few souls had interested him during his millennia on the job.  He did vividly recall one soul in particular, though.  His name was Dante, and he was a soul Chiron had yet to take.  He was one of the handful of mortals who had venture down into the Underworld for some reason or another.  

From what he recalled, he was on a quest of some sort and was with a soul that he had previously taken across the river, a soul named Virgil.  In life, Virgil had an importance about him and a way of stirring things up.  In death, the same was true.  He claimed to be a guide to the mortal who had found his way to the ferry.  Charon tried to warn the mortal Dante that his ferry was not for the living, but neither he nor Virgil would heed his warning.  Instead the guide pushed Charon, urging him to let the mortal pass.  He stated something about the mortal’s passage being fated or willed or something along those lines.  Charon remembered deciding not to argue.  He remembered thinking that if it was that mortal’s fate to see the trials of hell, fate was cruel indeed.

Author's Note:
I decided to write my story about Charon's interaction with Dante and Virgil because it really stuck out to me while I was reading the unit.  I placed the story at some point after Charon's encounter with the two of them.  I thought that doing this would give an interesting perspective.  I also got the impression the Charon had seen a lot during his time, so I really wanted to play up his age and maybe his wisdom as well.

From the Gates of Hell and Charon section of the Dante's Inferno unit
Dante's Divine Comedy, translated by Tony Kline (2002).

Reading Diary B: Dante's Inferno (Week 13)

Nicola Consoni's Dante al Limbo
  • I wonder how many Cantos there are in this.
  • The Minotaur from Crete is in the seventh circle of hell.
  • “When he saw us, he gnawed himself, like someone consumed by anger inside.”  Sounds like someone with intense emotional trauma.
  • He weaves in the Greek mythology almost seamlessly.  He mentions Theseus and it doesn’t seem forced or awkward.
  • “the world has often been overwhelmed by chaos.”
  • “we near the river of blood, in which those who injure others by violence are boiled.”
  • So our desires are what lead us to destruction and hell?
  • For a little bit, I think that I got Chiron and Charon confused.
  • Chiron was basically the leader of the centaurs?
  • “Divine Justice here torments Attila.”  So he isn’t just taking on Greek mythology.  The word “divine” makes the torture sound righteous.
  • “The foliage was not green, but a dusky colour: the branches were not smooth, but warped and knotted; there were no fruits there, but poisonous thorns.”  Sounds like a dark twist on Wonderland or something like that.
  • It is super interesting that Dante refers to Virgil as “Master,” especially when Virgil is being considered such a massive sinner.
  • 'O Capaneus, you are punished more in that your pride is not quenched: no torment would produce pain fitting for your fury, except your own raving.' That’s interesting.  So each person’s punishment is custom fit to them. 
  • It is odd how Virgil talks of Jason.  It is as if he is this great and glorious person who somehow did something bad enough to send him to hell.  The language is both good and bad, which is interesting.  
Dante's Divine Comedy, translated by Tony Kline (2002).


Monday, November 16, 2015

Reading Diary A: Dante's Inferno (Week 13)

  • “In the middle of the journey of our life, I came to myself, in a dark wood, where the direct way was lost.”  Our is plural.  Who is the other person?  I know one is Dante, but who is the other?  He came to himself?  What does that mean?  Does that mean that he becomes aware?
  • He was “so full of sleep.”  That’s like a dream.
  • There is some watery language
  • Leopards, lions, wolves, oh my!
  • “where the sun is silent.”  What?  This sounds a bit like Alice in Wonderland…
  • Why does Dante want to travel through Hell?
  • Does he go through Hell to escape the animals?
  • “Here, all uncertainty must be left behind; all cowardice must be dead”  Interesting
  • It is interesting that he is comforted by such a sinner touching his hand.
  • They ignore the people who are in between
  • “And see, an old man, with white hoary locks, came towards us in a boat.” Charon is an old man.
  • Charon does not want to take Dante and Virgil across.
  • “My son, those who die subject to God's anger all gather here, from every country, and they are quick to cross the river since divine justice goads them on, so that their fear is turned to desire. This way no good spirit ever passes.”  Good to know
  • 'How can I go on, if you are afraid, who are my comfort when I hesitate?'
  • Virgil doesn’t fear the first circle of hell, but rather pities those who reside there.

Dante's Divine Comedy, translated by Tony Kline (2002).